The Definitive GangStarr Story : Gang Starr in The Source (1994)

April 21, 2010

Cover story on Gang Starr in the Source of april 1994 by Ronin Ro, with contributions by SHortie, Da Ghetto Communicator and Todd Williams.


Classic review : Ready To Die in The Source (1994)

March 29, 2007

Review of Biggie Smalls’ first, and as far as I’m concerned, only album. Published in The Source in the octobre 1994 issue, written by Minya Oh, also know as Hot 97’s Miss Info, then known as Shortie.

Notorious BIG : Queen Bitch (reference track)

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Classic Review : Illmatic in The Source and Nas’ biog

February 8, 2007

Yeah another post about Nas, I know… It’s not even the last one.
Here is the famous 5 mics review from The Source by Shortie, and a bonus biog sheet sent with the album. And another track from the Illmatic demo.

Nas : Represent demo

 

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While the media was hyping Snoop’s album as the most anticipated debut of all time, many of us in the hip-hop core had our eyes on another prize-Illmatic., the debut “reality story book” from Queensbridge’s Nas (formerly known as Nasty Nas). After peeping his skill on “Live at the BBQ”, “Back to the Grill”, and the official bomb, “halftime”, street dwellers and industry folks alike were predicting Nas’ first album to be monumental.

Now, I’m not one to sweat the next man, but… I must maintain that this is one of the best hip-hop albums I have ever heard. Word. Let me speak on it.

Musically, when Nas hooked up with four of hip-hop’s purest producers, it seems like all of the parties involved took their game to a higher level of expression. Whether listening to the dark piano chords of Pete Rock’s meaner side on “The World is Yours”, or Primo’s sinister bounce on “Represent” or Large Professor’s old-soul sound on “Memory Lane”, or Q-Tip’s jazzy marimba melody on “One Love” – it all motivates. Your mind races to keep up with Nas’ lyricism, while your body dips to the beat.

Lyrically, the whole shit is on point. No cliched metaphors, no gimmicks. Never too abstract, never superficial. Even the skit-intros are meaningful, and the album’s only guest rapper, AZ, is dangerous in his own right. (And he’s unsigned too? Not for long, son) Nas is just the epitome of that “New York State of Mind” in terms of style and delivery. But even outside of the “Rotten Apple” – “Listeners, bluntheads, fly ladies and prisoners, Hennessy-holders, and Old School niggas” from all over will be able to relate to Nas’ many techniques. Nas creates fantasy: “I drink Moet with Medusa/Give her shotguns in Hell/From the spliff that I lift and inhale”. He philosophizes : “I switched my motto/Instead of saying ‘fuck tomorrow’/That buck that bought a bottle/Coulda struck the Lotto”. He flows : “One forthe money/Two for the pussy and foreign cars/Three for Alize, niggas deceased or behind bars/I rap divine, god/Check the prognosis, is it real as showbiz/My window faces shoutouts/Drugs overdoses/Live amongst no roses, only the drama/For real, a nickel-plate is my fate/My medicine is the ganja”. And on, and on…

Nas’ images remind me a lot of personal memories and people, both passed and present, so the impact goes beyond just the entertainment aspect. All this may sound like melodrama but it’s not just me, I’ve been hearing similar responses all over. While “Memory Lane”, is my shit, my homies claim “The World Is Yours”, and if you’ve got peoples doing time, them “One Love” may hit you the hardest. There is nothing wack though, just different intensities for different people to relate to. The bottom line is this : even if the album doesn’t speak to you on that personal level, the music itself is still well worth the money. If you can’t at least appreciate the value of Nas’ poetical realism, then you best get yourself up out of hip-hop. Keep it real, baby.

Shortie

 


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