An interview with Bill Stephney and Hank Shocklee (Public Enemy/Bomb Squad) conducted by Jon Shecter in may 1990.
Didn’t Lil’ Wayne release Dedication 4 today ? So no, you can’t download it here, or find the lyrics, torrent or any mp3. Try DatPiff maybe. To be honest, I am just curious to know if I’ll get more clicks with this one…
This is from the february 2000 issue of Blaze magazine, and as far as I know it was his first time on a magazine cover as a solo artist. Fell free to correct me if I’m wrong.
(Maybe I should add the word sextape to get a little more traffic ?)
Here is a little story on Masta Ace (then spelled Master Ace) from 1991, after losing his contract with Cold Chillin and before signing with Delicious Vinyl. Written by Todd C Roberts.
Master Ace : Talking What I Feel (DivShare)
No offense to Slick Rick, but there is not any rapper who can mess with Masta Ace when it comes to story telling. Below is a fiction about a young graff writer written by Masta Ace and published in The Source in 1993.
Page 3 is a short interview with Ace to promote his album Slaughtahouse.
The song that comes with it is an early demo that didn’t make the final cut for his Take A Look Around album, unearthed a few years ago.
Masta Ace : Howard Park (demo) (DivShare)
Review of Black Sheep’s first album in the november 1991 issue of The Source, written by Atco.
“There is a lot of talk about the lack of slammin’ jams on recent albums. That’s definitely not the case with the Black Sheep debut. Riding the jazzy “Flavor Of The Month,” Dres and Mista Lawnge follow-up with a style that’s bound to annoy and enjoy. With tracks such as “Similak Child,” “Hoes We Noes,” and “La Menage” (featuring Q-Tip), it’s plain to see that the Sheep rhyme about topics that might upset a few feminists, but it’s all in fun.
Musically the Sheep are unique, giving you an ear-ful of previously unused beats, basslines and samples from all types of music without making their tracks noisy or cluttered. The production comes off sounding crisp and clear to the point that you’ll find yourself freestyling over their funky beats.
Dres flows like a waterfall, and “the sugardick-daddy” Mista Lawnge spouts the lingo on a couple of cuts like on “Pass The 40,” where he states: “l stick gum in my ass cause I like to pop shit. ” Other dope cuts include ” Black With N.V. ” (No Vision), the tour-de-force “Try Counting Sheep” (which has a clever Rare Earth sample) and a message to the legions of wack rappers on “To Whom lt May Concern.” Throw in a couple of funny skits and you’ve got an idea of what the Sheep are about.
Although Black Sheep are down with the likes of De La Soul, Quest and the JB’s, they don’t sound like any of them-their shit just sounds dope.”
Feature on Tribe Called Quest written by Chris Wilder in The Source, november 1991.
A Tribe Called Quest : Georgie Porgie featuring Brand Nubian (demo) (DivShare)
Review of Tribe’s 5 mic classic in The Source, november 1991, written by Reef.
A Tribe Called Quest : Scenario feat LONS, Black Sheep & De La Soul (demo) (DivShare)
“What do you do for an encore after making one of the most ground-breaking unique and outstanding hip-hop albums ever ? Instead of moving ahead to an uncharted musical plateau that may be over everyone’s head, the Tribe have veered off to the side, molding their jazz-infused samples with fat hardcore beats to give their progressive sound a streetwise edge.
The most prevalent theme on this record is the Tribe’s disillusionment with the music industry. Song topics address shady promoters, bootleggers and the greedy, insensitive record labels that rip-off artists. Meanwhile Tip and Ali drop some more fat loops from their secret sample vaults. The tracks are kept simple and feature the type of fat drum beats that can be heard from a boomin’ system three blocks
away. Instead of just throwing a beat over a loop, the Tribe combine distinct pieces of music, program their own beats, and transform their samples into a sound that is truly their own. They add the right touch-whether its a live bass with singing on Q-Tip’s “Verse From Abstract,” or the jazzy sax loop on Phife’s” Butter.”
Q-Tip has already proven he is a highly skilled lyricist with his own distinct style and once again he flows lovely, dubbing himself “the abstract poet.” Those who questioned Phife’s microphone techniques on the first album will swallow those doubts as he practically steals the show on this one. Phife provides a more straight-up b-boy approach to complement Tip’s mellow vibes.
Other outstanding cuts include “Buggin’ Out”, an uptempo jam with a catchy bassline, “Rap Promoter” with its chunky guitar samples, “ShowBiz”, featuring Brand Nubian’s Lord Jammar and Sadat X and ex-Ultimate Force member Diamond D, and “Scenario” a duet with the Leaders Of The New School that feature some incredible lyrics from Busta Bhymes. There’s no sophomore jinx to be found here only real hip-hop.”